Whether you're looking for composer biographies, historical music articles or public domain sheet music, Music of Yesterday has what you are looking for. We update content daily and link the best articles on this page weekly to keep you up to date on what's new.
Our content consists of article extracts from newspapers, magazines and books written and published prior to 1923 bringing to you the flavor of early music history as it was presented by prominent people in the music industry at that time including articles written by famous composers about other famous composers as well as articles written by opera stars and the top music educators of the time.
Also included in our archive are articles concerning the teaching of various musical instruments as well as music theory and what the best methods were for teaching students of all ages.
Most of our biographies include not only birth dates and places but more personal information on the lives and times of the person being studied and in some cases the interaction between composers of their time. Learn about their struggles, successes and more.
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| Delphin Alard |
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He was an eminent violinist. Born at Bayonne, March 8, 1815; showed at an early age remarkable musical talent, and in 1827 was sent to Paris for his education. At first he was not received as a regular pupil at the the Conservatoire, but was merely allowed to attend Habeneck's classes as a listener. He soon, however, won the second, and a year later the first prize for violin playing, and from 1831 began to make a great reputation as a performer. In 1843, on Baillot's death, he succeeded that great master as professor at the Conservatoire, which post he held until his death, Feb. 22, 1888. Alard was the foremost representative of the modern French school of violin playing at Paris, with its characteristic merits and drawbacks. His style was eminently lively, pointed, full of elan. He published a number of concertos and operatic fantasias which, owing to their brilliancy, attained in France considerable popularity, without having much claim to artistic worth. On the other hand, his 'Violin School', which has been translated into several languages, is a very comprehensive and meritorious work. He also edited a selection of violin compositions of the most eminent masters of the 18th century, 'Les maitres classiques du Violin', etc. (Schott), in 40 parts. |