Whether you're looking for composer biographies, historical music articles or public domain sheet music, Music of Yesterday has what you are looking for. We update content daily and link the best articles on this page weekly to keep you up to date on what's new.
Our content consists of article extracts from newspapers, magazines and books written and published prior to 1923 bringing to you the flavor of early music history as it was presented by prominent people in the music industry at that time including articles written by famous composers about other famous composers as well as articles written by opera stars and the top music educators of the time.
Also included in our archive are articles concerning the teaching of various musical instruments as well as music theory and what the best methods were for teaching students of all ages.
Most of our biographies include not only birth dates and places but more personal information on the lives and times of the person being studied and in some cases the interaction between composers of their time. Learn about their struggles, successes and more.
Are you interested in information about a particular opera? Read a short description of some of the most famous operas; feel the drama.
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| Johann Caspar Aiblinger |
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He was born at Wasserburg in Bavaria, Feb. 23, 1779. His compositions are much esteemed, and performed in the Catholic churches of South Germany. In 1803 he went to Italy, and studied eight years at Vicenza, after which he settled at Venice, where in conjunction with the Abate Gregorio Tentino he founded the 'Odeon' Institution for the practice of classical works. In 1819 he was recalled to his native country by the king, wrote two ballets, and was appointed capellmeister of the Italian Opera at Munich, until 1823, when he conducted the court music. In 1833, however, he returned to Italy, and resided at Bergamo, occupying himself in the collection of ancient classical music, which is now in the Staatsbibliothek at Munich. His whole efforts to the end of his life were directed to the performance of classical vocal music in the Allerheiligenkapelle at Munich, erected in 1826. His single attempt at dramatic composition was an opera, 'Rodrigo e Chimene', 1821, which was not successful. The bravura airs for Mme. Schechner and for Pellegrini were much liked, but the piece showed no depth of invention. In church music, however, he was remarkable happy; his compositions in this department are in the free style of his time, written with great skill, and full of religious feeling, tuneful, agreeable, and easy melody, and exactly suited to small church choirs. They consist of masses, some requiems, graduals, litanies, and psalms, with accompaniments for orchestra and organ, published at Munich, Augsburg, and Paris (Schott). Aiblinger died May 6, 1867. |