Whether you're looking for composer biographies, historical music articles or public domain sheet music, Music of Yesterday has what you are looking for. We update content daily and link the best articles on this page weekly to keep you up to date on what's new.
Our content consists of article extracts from newspapers, magazines and books written and published prior to 1923 bringing to you the flavor of early music history as it was presented by prominent people in the music industry at that time including articles written by famous composers about other famous composers as well as articles written by opera stars and the top music educators of the time.
Also included in our archive are articles concerning the teaching of various musical instruments as well as music theory and what the best methods were for teaching students of all ages.
Most of our biographies include not only birth dates and places but more personal information on the lives and times of the person being studied and in some cases the interaction between composers of their time. Learn about their struggles, successes and more.
Are you interested in information about a particular opera? Read a short description of some of the most famous operas; feel the drama.
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| Louis Ferdinand Leopold Agnesi |
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Agnesi, the famous bass, whose real name was Agniez, was born July 17, 1833, at Erpent, Namur. He studied at the Brussels Conservatoire, under Boselet and Fetis, and in 1853-55 gained the concours de Rome. He brought out an opera, 'Harold le Normand' (1858) with indifferent success, and subsequently abandoned composition for singing. For the latter purpose in 1861 he received instruction from Deprez, and became a member of Merelli's Italian Opera Company, under the name Luigi Agnesi, during a tour through Germany, Holland, and Belgium. On Feb 10, 1864, he first appeared at the Italiens, Paris, as Assur in 'Semiramide,' with the sisters Marchisio, and was engaged there for several seasons. In 1865 he was engaged at Her Jamesty's Theatre, where he first appeared with Mruska, May 22, as the Prefect in 'Linda de Chamouni,' and during the season he played Assur and Figaro (Le Nozze), and also sang at the Philharmonic, on each occasion with fair success. In 1871, on his return to England, where he remained until his death, Feb 2, 1875, he enjoyed a greater reputation, not only in opera at Drury Lane (1871-74), but as an oratorio and concert singer at the Handel and provincial Festivals, at the Sacred Harmonic, at the Philharmonic, etc. In addition to the parts above named, he played with success Pizarro ('Fidelio'), Mikheli in the solitary Italian performance of 'Les deux Journess,' June 20, 1872, the Duke in 'Lucrezia,' etc., and showed himself in all an accomplished actor and musician, devoted to his art. Special mention may be made of his Assur, which he sang in true Italian style, with Titiens and Trebelli as Semiramide and Arsace, a cast of which opera has never since been equalled; also of his delivery of the bass part of Crotch's 'Palestine,' in a style of music wholly unfamiliar to him. |