Whether you're looking for composer biographies, historical music articles or public domain sheet music, Music of Yesterday has what you are looking for. We update content daily and link the best articles on this page weekly to keep you up to date on what's new.
Our content consists of article extracts from newspapers, magazines and books written and published prior to 1923 bringing to you the flavor of early music history as it was presented by prominent people in the music industry at that time including articles written by famous composers about other famous composers as well as articles written by opera stars and the top music educators of the time.
Also included in our archive are articles concerning the teaching of various musical instruments as well as music theory and what the best methods were for teaching students of all ages.
Most of our biographies include not only birth dates and places but more personal information on the lives and times of the person being studied and in some cases the interaction between composers of their time. Learn about their struggles, successes and more.
Are you interested in information about a particular opera? Read a short description of some of the most famous operas; feel the drama.
John Abbey, a distinguished organ builder; was born at Whilton, a Northamptonshire village, Dec. 22, 1785. In his youth he was employed in the factory of Davis, and subsequently in that of Russell, both organ builders of repute in their day. In 1826 Abbey went to Paris, on the invitation of Sebastian Erard, the celebrated harp and pianoforte maker, to work upon an organ which Erard had designed, and which he sent to the Exhibition of the Productions of National Industry in 1827, and also to build an organ for the Convent of the Legion of Honour, at St. Denis. He also built an organ from Erard's design for the chapel of the Tuileries, which, however, had only a short existence, being destroyed in the Revolution of 1830. Having established himself as an organ builder in Paris, Abbey became extensively employed in the construction, renovation, and enlargement of organs in France and elsewhere. Amongst others he built choir organs for accompanying voices for the cathedrals of Rheims, Nantes, Versailles, and Evreux, and for the churches of St. Eustache, St. Nicholas des Champs, St. Elizabeth, St. Medard, St. Etienne du Mont, and St. Thomas Aquinas, in Paris; and large organs for the cathedrals of Rochelle, Rennes, Viviers, Tulle, Chalons-sur-Marne, Bayeux, and Amiens, and for churches, convents, and chapels at St. Denis, Orleans, Caen, Chalons, Piepus, and Versailles. He repaired and enlarged organs in the cathedrals of Mendi, Moulins, Rheims, Evreux, and Nevers, and in the chruches of St. Etienne du Mont, St. Philippe du Roule, The Assumption, and St. Louis d'Antin in Paris. He also built many organs for Chili and South America. In 1831 Abbey was employed, at the instance of Meyerbeer (who had introduced the instrument into the score of his opera Robert le Diable, then about to be produced), to build an organ for the Grand Opera at Paris, which instrument continued to be used there until it was destroyed, with the theatre, by fire in 1873. Abbey was the first who introduced into French organs the English mechanism and the bellows invented by Cummins. His example was speedily followed by the French builders, and from that period may be dated the improvements in organ building which have raised the French builders to their present eminence. His work was well finished, and generally satisfactory. He died at Versailles, Feb 19, 1859. He left two sons E. and J. Abbey, to carry on the business of organ builders in Versailles.